Painting
Her Voice Her Seat
This artwork stands as a bold statement on the urgent need for women’s inclusion in political positions in
Northern Nigeria. It captures the tension between tradition and progress: a society rooted in cultural
identity yet held back by a system that sidelines half its population from decision-making.The imagery
emphasizes women not just as silent supporters, but as active leaders. Figures who can shape laws,
policies, and the future of their communities.
Hijab 3
This painting is a raw commentary on contradiction . The tension between outward beauty and inward
neglect.
In the foreground, Northern men are painted in striking red turbans, their faces dignified, almost regal.
The red fabric, rich and commanding, presents them as proud and decorated symbols of cultural identity,
status, and authority. To the casual eye, they are clothed in honor, carriers of tradition, guardians of
heritage. Yet, when we shift our gaze to the right, the truth breaks through the façade: a child, bare and
vulnerable, clings to a cow. The child’s nudity and frail state sharply contrast the ornamental beauty of
the men, exposing the neglect within the home while prestige is pursued outside.
